newly recognize occupations of physical and imaginative terrain upon which i build my relations to self & worlds construct forest thematic and geometry, return to fractured microcosms with new questions   ~//[\\~,+<<|>        

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As I have been listening to field recordings, reading, and writing for my thesis over the last year, I’ve been ‘decompressing’ in my down time by practicing automatic painting and drawing. It turns out even my spare time is obsessed with imagining space. This is a series of oil pastel drawings in progress (I’m working […]

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I’m supposed to be sorting field recordings for my thesis project, but I decided to make a little audio portrait of my nephew Levi instead. While listening to my recordings I caught him being quietly thankful. Chips are the way to his heart. 23 seconds.

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Soundscape composition/audio essay created during a group directed study at Concordia, also presented at a University of Lancaster workshop. More about this project to come, including notes on the collaboration, my artist statement, photos, & field notes.

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  Pictures of Calgary to follow.

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After studying the space and place of Olympic Stadium last semester, I rebranded their t-shirts (pro bono)… #Lefebvre    

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(i was trying to remember the types of trees and moss specifically through my visual memory and the surprise of my brushstrokes): i made this painting as part of a research-creation project reflecting on recollection of my visits to the forest sites where i’ll be listening and observing this summer (in this case, hoover lake, mission, british […]

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  I worked on this painting (oil on wood) throughout January-February. It still needs glazing & the current version is a little more developed in one or two places on the left side. Painting entrances me and relocates my thought-work; my moods and rumination, what I’m reading or eating, feed into my painting. Sometimes I prompt myself […]

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(Beast by Helena Krobath 2015; ink & gesso on wood) I’ve been working sporadically on the main piece, Horrorland: Light on the Hill for several years; it consists of written vignettes and crossing stories, fables and visual images, diorama scenes, stage and costume, voice work, and vulnerability. Recently, I’ve added electroacoustic chapters developed in sound classes […]

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oil paints (a bit of glare at the top); yet to be glazed! better pic to come eventually    

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